the only time to write

these days it's after i've had a shot of rum, after being out of the house from 10am to 11pm, after bouncing around a classroom feeding off the energy derived from a can of soda, instant coffee, bright-eyed young people fueled by their own youth.

today i explained japan's cultural obsession with cherry-blossoms, how a tree totally devoted to the production of beauty (the absence of even a single photosynthesizing leaf) can inspire so much poetry. how entire offices will take an afternoon to picnic and get drunk under the falling blossoms, how some people will go flower-viewing just for the food. it was a "Namiko Abe" moment. (see my earlier post dated april 23.)

i also succumb to these moments, although i do identify with the ones who show up just to get drunk and eat the rice cakes.

i am learning that my writing identity is becoming more and more estranged from my daytime identity. is this a problem?

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Japanese Class in NYC - first lesson!!!!!!!!!!!!

(It's been a while since my last post! I have just begun my first job in NYC!!! Teaching after-school classes in Japanese Language and Anime Culture in a inner-city high school in dowtown manhattan! Welcome to the first installment...) "You better have a leg in it," said N__ when she heard how many students I had in my Japanese class: over 30. I had to ask what that meant, but I wasn't feeling any kind of ominous energy from the students who had signed up for after-school Japanese Language Club. What I mean is: Who signs up to stay at school for 3 extra hours unless they really want to be there??? After trying (and failing) to set up a DVD for the first hour, waiting for the students to trickle in, and being herded into a corner by a Student Government meeting, I began class. The first order of the day was to break up into groups and brainstorm what the students expected of each other, of themselves, and of me as a teacher. Many of them said the same things: for the t

postcard poetry: here are some of my favorite postcards that i've sent to people so far 1

providence can be a brutal city, just like any other. in this glass box I watched the ocean fall in sheets outside computer clusters, braid inside the gutters. umbrellas made no difference. this is the version i actually ended up using: Providence can be and has been just as brutal as any other city in the country, but i was safe and desperately warm within the glass cage, watching the Atlantic fall in sheets, watching the acid rain braid itself into the gut- ters, wringing words like fair- trade coffee from my strained eyeballs to stain the imaginary page on my computer screen.

Japanese Class Downtown (Week of 10/23)

This week, we got around to talking about the indigenous peoples of Japan. Concepts that we touched on: - “Assimilation” - “History is written by the winners,” and therefore - “Losers are depicted by the winners.” - “ethnic groups” - “minorities” In the first half of the class, we watched a movie – 『もののけ姫』(Princess Mononoke) – which was the most popular movie in Japan until Titanic came out afterwards. It was also the most expensive animated movie to make, up until its release date (2004), at a production cost of about $20 million. I introduced the movie by talking about the setting – Muromachi Period (1336-1573), roughly contemporary with the Ming Dynasty and the arrival of C. Columbus in what is now known as the Caribbean. The main character of the movie is an Emishi prince, from a clan of natives who have continued to resist the Japanese Shogunal government. (Historians say that the Emishi natives were all assimilated by 1300.) The main character of the movie is based on a historica

speach tree

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